![]() Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. My guess is that everything is stock (well, maybe not the t. Is this a low-watt vintage tone machine Or another piece of CBS-era low-end junk Its a silverface, from 1976, so far as I can determine (it uses two 6V6s). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. My sister has a Fender Musicmaster bass amp that shes planning to get rid of. The Fender Musicmaster Bass Amp is a 1970s Silverface combo amp designed to pair with. One volume, one tone, two imputs, 15watts, 12' speaker and not much else. Up for sale is a pretty clean Fender Silverface Music Master Bass amp. ![]() While it's not much good as a bass amp it's a screamin' little guitar amp. It's an early 70's silverface that was intended as a practice amp for bass. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). A few months ago I picked up a Fender Musicmaster bass amp for 40 in a newspaper ad. ![]()
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